Made for duality, Yeti Out’s “NO CODES” keeps you looking dapper on sweaty dancefloors and clean for downtown corners.
Yeti Out is a music collective and a streetwear apparel brand that bridges the East and the West through pop-up raves, record releases, and radio broadcasts. Their newest collection “NO CODES” is an ode to the timeless ritual of going out, mixing tracksuits with table service, and button-downs with raves.
Imagine you’re on a night out in Hong Kong. It’s Saturday, and it just hit 34°C. The Hong Kong Observatory is telling you that an alert is in effect, and you’re out there in the streets with your long black baggy denim jeans, suffocating in your own swagger. Now, imagine you’re wearing the new “NO CODES” tracksuit pants, and you can just unzip the bottoms and magically turn them into shorts — Yeti Out’s “NO CODES” is the manifesto for a post-border, boundary-free world. All city, all night.
Graphic heavy-tees, bedazzled logos, and an iconic big star motif. Released in-store on August 6, Yeti Out’s “NO CODES” is an eight-piece capsule collection that is the definition of utilitarian design. Zip-up jackets with reflective details and removable sleeves, tracksuit trousers that can transform into shorts within a moment’s notice — ”NO CODES” reflects the current youth movements and brings functional streetwear to a city that never sleeps.
With a global release online and an exclusive stock in their hometown concept store J-01 in the K11 Art Mall, Yeti Out describes itself as a borderless music label, and when asked why, Arthur Bray, one of the co-founders, says: “I honestly think that Yeti Out and, like, our community are all quite transient and have a sort of a global mindset, you know? Obviously, hey, we rep Hong Kong forever still, but how do you be local and global at the same time?”
As a collective, Yeti Out also hosts its own record label, Silk Road Sounds, which is all about connecting Eastern and Western music influences together to curate the sound of a modern Silk Road. “It’s literal in the sense that we work with a lot of artists that we discover and sign when we’re on the road,” he says.
“The artists we sign always kind of represent multiple identities in multiple places, you know? And I think in 2026, in this current state, we got to destroy borders,” he says. “I think we need to be more united, not separated.”
In the background, Casey Anderson plays his set on a modular synth as cold beers get passed around from an ice cooler that always stays fully stocked throughout the night. Unsuspecting shoppers walk by and walk into the store just to catch a vibe.
“We stay curious,” Bray says, before sprinting back in to greet another friend.
